Search This Blog

Loading...
Showing newest 15 of 34 posts from January 2010. Show older posts
Showing newest 15 of 34 posts from January 2010. Show older posts

All that Glisters is not Green

Eye-opening shock or fuel for cynicism? What did the recent H&M debacle represent for you?


The concept of environmental responsibility has evolved from a 1962 book  by Rachel Carson into an all encompassing movement of ‘greenness’—the purchasing of organic, sustainable, eco-friendly products, minimizing waste in production, and the use of recycled materials has become so widespread that it’s moved beyond being a trend to becoming a lifestyle. And the fashion world seems to have taken to the eco-mindedness of its customers quite well.
The operative words there are ‘seems to’. Though many companies and designers have certainly sincerely embraced sustainable production (check out www.sustainyourstyle.com for a collection of fantastic eco-friendly brands),  the intentions of others are a bit more questionable.
Read More>>
H&M, for example. The Swedish fashion powerhouse is known for jumping on  trends as soon as they start, and offering unique looking clothing for a fraction of the price of designer pieces. Recently they released a look book for “The Garden Collection”, a line made of organic and recycled materials, including recycled PET bottles, textile waste, organic cotton, linen, polyester and Tencel silky, a renewable material produced with minimal environmental impact. 
As beautiful as the new line looks, and as wonderful as it is that H&M is creating such a line,  it is impossible not to question the sincerity of their motives when faced with one of H&M’s policies. The stores routinely cut and dispose of unsold garments and trash them. Though some people work to salvage these clothes, the vast majority of them are thrown away, though they could just as easily be donated or used for H&M’s own sustainable line.
So which is it—are most big trains really eco-friendly or are they capitalizing on a trend? It’s up to every consumer to find out, but be warned: just because the label says green doesn’t mean it is.

photo courtesy of Nitrolicious

MILAN: Not Your Dad's GF

There's a new Gianfranco Ferre for F/W 2010
 
This is not the Gianfranco Ferre we are so used to seeing. After debuting for S/S 2009, the dynamic duo of Tommaso Aquilano and Roberto Rimondi have dramatically shifted the fashion world's expectations of what Gianfranco Ferre stands for. The result is a little confusing - a friend of mine plagiarized GQ's summation in making allusions to this collection having an Italo-disco feel. It's not for everyone and it would be foolish to suggest otherwise; it is, however, worth at least a look-in.
Read More>>




GF continues in its fine tradition of keeping a very clean palette - whites, grays, blacks - but paired with the head designers' love of fabric innovation, the collection is being tugged in new and unconventional ways. There is, for instance, an overt fondness of the bondage idea - conspicuously delicious leather motorcycle boots and, in fact, an abundance of leather everywhere - and unusually enough, fur where fur should not go - a sleeveless cape-ish sort of coat (believe me, it's confusing). And of course, who can miss the plaid-on-plaid ensemble that is positively jarring. Combine it all together and the effect is confusing and perhaps a little dissonant.
There still is the meticulous eye for detail and the entire collection abounds with strong, powerful geometry that compliments (or should) a man's frame quite nicely. But the entire lineup may not suit everyone; it takes a certain kind of severe man to pull off a fur vest under a leather blazer. Admittedly, if you can or know someone who is such a capable Adonis, then by all means (As they say, pics or it didn't happen). Aaron Wee


photos courtesy of GQ
Bookmark and Share

MILAN: The Revenge of the Mods

Junya Watanabe's F/W 2010 collection celebrates 60s glamor, with a contemporary twist and democratized sense of creativity.


I'd hate to point out the obvious but, yay! Hats! In an homage to an earlier, and some might say, more stylish time, the mods make a comeback in Junya Watanabe's F/W 2010. The results are quite breathtaking.
Read More>>

 
Okay, I admit a fondness of both Watanabe's amazing reinterpretations year-in-year-out and the early 60s London look, and it is incredibly difficult to be objective under such circumstances, but this collection, for me, really takes the prize. It's a collection that screams for creativity on the part of the wearer as well, as if Watanabe has decided that we the people can be a part of the fashion process too. His eclectic mix of fabrics and patterns screams out for layering and endless interchangeability - buying a Watanabe piece is never a one-time affair but an invitation to reinvent and reinterpret just as he did in laying out his collections.


That being said, this is not a mod collection. This a collection for those serious types who enjoyed the mod look but want a contemporary twist to it. It's all about fitting that gentle swagger seamlessly into the classics, breathing fresh life into a period of history that will never fade away. Oh those swishy cropped pants, that cheeky cardigan, the corduroy topcoat... It's like how hipsters would/should dress if they were not too busy being pretentious snobs and were actually, you know, real people. Just the right amount of what feels right with what feels like it has always been there. A unique, special, and quite lovely collection. Aaron Wee


photos courtesy of GQ
Bookmark and Share

Fashion Fights Back

The recession might be over, but the global fashion industry hasn't walked out unscathed.
Jean Paul Gaultier delivered a boxing themed fashion show in Paris for his upcoming fall 2010 menswear collection. Models sported boxing gloves and knee pads, with bloodied bruises and fake cuts as accessories, down the runway in the season’s latest fashion trends. The show instantly transformed the classic catwalk into a fighting ring, with both men and women punching away at bags on the stage.

 Sochima Atikpoh


photos courtesy of GQ
Bookmark and Share

LOS ANGELES: Go-Green Expo


This month's Go Green Expo in Los Angeles marks the launch of the world’s only recycled swimwear line.
Eco-Panda swimwear, which is composed of Regen recycled nylon, is a bold collection comprised of vibrant colors and exquisite detailing in each piece. The raw nylon is recovered from fishing nets, ground into chips, and liquefied into a knit woven fabric. 
  


Recycled nylon diminishes greenhouse gas emissions and helps to prevent exhaustion of limited natural petroleum resources. The eco-friendly collection also uses MIPAN, a fabric blend which enables the swimwear to retain its shape and last three times longer than the average swimsuit. Eco-Panda first debuted in June 2009, immediately winning over critics and garnering fans by proving once again that eco-friendly wear doesn’t have to lack value or style.
Sochima Atikpoh



Bookmark and Share

MILAN: Italian fashion industry leads the way in recovery

In America, the word bailout is almost automatically associated with either the auto or financial industries. In Italy, however, the fashion industry has also received bailout help from the government and, according to many experts, will be the first industry to recover from the crisis. 
 



While it’s logical that luxury goods are often the first to feel the hit of a recession, the Italian fashion industry’s relatively quick bounce back is both heartening and a bit surprising.
The news comes during the showing of the men’s collections at Milan Fashion Week - the climax of the industry Italy respects and loves so well.
So far luxury has not been sacrificed one bit: between Versace’s showing of lush fur scarves and knee length leather coats and Cavalli’s collection of rock and roll luxe velvet, leather and tux ensembles, you’d be hard pressed to find any hints of economic trouble in the Italian fashion world.

Rachel Vincent


photos courtesy of xinhua
Bookmark and Share

JOHANNESBURG: Fantastical Structures for Fashion Week

David Tlale draws inspiration for his upcoming collection, “Fantastical Structures” from the relationship between industrial design, architecture, and fashion.

F/W 2010 mood board

Using a mixture of supple and firm textures such as duchess satin, leather and polyester to set the tone of femininity and glamor, Tlale also embraces decorative patterns, complex layering, sumptuous materials, and sculptural forms during the design process. 
Read More>>

The collection features bold colors, volume, and dramatic eye-catching accessories, as well as metallic and hues of copper, gold, onyx, and browns.

Sochima Atikpoh

photos courtesy of sierraexpress, Jamati
Bookmark and Share

SJP for Halston

Sarah Jessica Parker has been named creative advisor to Halston’s contemporary label. 

The all-American label hopes the addition will revive the image the collection once had during the disco era. The Halston Heritage provides a less expensive alternative to the original Halston line. Some pieces of the collection can be seen in the upcoming Sex and the City 2. Marios Schwab, who is head designer for Halston Heritage, will work with SJP to re-develop pieces from the Halston archive. Parker will provide input in the design process for the new upcoming collection, set to debut at New York Fashion Week next month.
Sochima Atikpoh
 photo courtesy of Fabsugar
Bookmark and Share

Things We Love: Prada's 'First Spring' by Yang Fudong




Bookmark and Share

FashionAlbedo Exclusive: Smokey Mountain Style

FashionAlbedo correspondent Aaron Wee talks trash, cash, fashion and development with Jane Walker, founder of the Philippine Christian Foundation.

There are a few things one must realize about Smokey Mountain before reading this article. Firstly, Smokey Mountain is not a mountain per se but the direct result of what happens when a major metropolitan area – in this case, Manila and its nearly 20 million inhabitants – systematically dumps its garbage in a specific location. According to the Smokey Mountain Remediation Project, the site contains over 2 million tons of waste. Decomposition gets so bad that, on particularly hot days, some of the waste actually catches on fire; from hence the area derives its name. What’s worse, not only do an estimated 30,000 people work here, but some call it their home.
Jane Walker, formerly of the United Kingdom, first came to Smokey Mountain many years ago while on sabbatical from her corporate job. It was here that she encountered, firsthand, the tragic conditions of life in the shadow of one of the world’s most infamous dumpsites. Amidst stinking piles of garbage, rusted metal, and decades-worth of urban waste, she found entire families scavenging for a living. Manila’s shadow population, those marginalized by society, struggle to make a living off-the-grid here, some “commuting” from nearby cemeteries. It was among all this that Jane decided to do something and, after raising enough money, she decided to make the Philippines her home and started the Philippine Christian Foundation (PCF).
Read More >>

 
In addition to running day care centers and providing education, basic healthcare and welfare services in Manila's Tondo area, the PCF also recycles scavenged materials from Smokey Mountain, transforming them into fashion accessories. These have proven to be an immediate hit in Jane’s native UK with orders consistently selling out and ever-growing demand. Jane took time out of her busy schedule to answer a few of my questions.

FashionAlbedo(FA): Making accessories from trash presents a whole new set of problems in design. For instance, you can never be absolutely certain of the supply of your materials. And yet, equally, everyday must present a whole new set of exciting challenges. Do you believe this ever-changing nature speaks in the designs?
Jane Walker (JW): Definitely. We have to modify or adapt our products to fit in with the materials available but this is a very positive thing as some of our best-selling products have been created this way.

FA: What was the most unusual material that has been incorporated into a finished product?
JW: Ring pull tabs from Spam and also the ring pull tabs from canned drinks. But we are also given a supply of just the tops of canned drinks and we drilled small holes into them and made a really funky handbag.

FA: And interestingly, what does this say about the wasteful nature of society and the resourcefulness of the members of the PCF?
JW: Truthfully, I have found that once people understand that their waste can be useful, then they are very enthusiastic about recycling. But they need to know where their waste is going and what it’s doing. What helps us is that all our profits are invested in educating child waste pickers in our schools and this tends to give people the extra push they need to recycle and support a good cause.
 FA: As the saying goes, "You are what you eat". From the skirts modeled by some students, are we, as society, also what we throw away?
JW: Sadly, we do find that it’s easiest to collect potato chip packets and ring pull tabs but we really struggle to find enough used toothpaste tubes.

FA: Are the designs inspired by high fashion or is the PCF "going on its own"?
JW: So far, we have gone on our own with designs. It’s very much a joint effort. Sometimes we suggest products and the recyclers work out how to make the product, then from the prototypes, we test them and then make changes to improve them. But we have just heard that three designers in the Philippines are planning to help us so we are really excited about that.

FA: The PCF has had to get creative in raising funds and, with spectacular results, you've managed to launch a highly successful line of accessories made from recycled items. Its success internationally has often been talked about but what about domestically? Has it been difficult in trying to sell accessories made by the marginalized in society to the Makati-set?
JW: Not really. There is also a lot of interest but many customers are unwilling to travel to Tondo to our factory so we are hoping that some kind retail owner will give us cheap rent and we can open a shop in Makati. (ed note: Hello Makati? It’s FA, please open your heart)

FA: Is it important that the final product for sale looks like it was recycled from trash? For instance, some of the bags made with aluminum tabs, are identifiable as recycled at first glance; some beads however might pass off as blown-glass. Is there a conscious effort in design to have the items look recycled? If so, is there any inherent message it conveys?
JW: Not really but we are concerned about making high end products. We want our products to look professionally made.
FA: London's a pretty smashing place but is notoriously far away from South East Asia. How difficult (or as the case may be, easy) was it to establish a fashion line many thousands of miles away, made and designed by practical unknowns in a city renowned for its high fashion?
JW: We have been aware that there is a difference in fashion preferences. For instace, Asia tends to like more multi-colored designs whereas European markets tend to like coordinated or single colors.

FA: How difficult is it to plug into the trends of the average London shopper, then?
JW: Deciding what a young person and a social shopper wants is harder. Fortunately, we seem to be producing products that match both the young and middle-aged.

FA: Is this socially responsible trend here to stay?
JW: It should be – it’s disgraceful the amount of money we throw away. I think as long as the products are well made and fashionable, there is no reason why we can’t keep designing products with a strong social consciousness.

FA: Obviously, the PCF is not in the business of fashion but fashion, right now, provides a valuable stream of income. What comes next for PCF - what's the next step for them to pull themselves out of poverty?
JW: For the next step, we are designing more products from different recycled materials. I want to really develop a strong brand and push it worldwide so that the PCF will have a reliable source of income as a means of sustaining our work. We currently collect around 8 tonnes of garbage a day but only around 250 kilograms (550lbs) of that is recyclable. So I am now in the process of refining our material recycling facilities so that we can either make more products from that waste or use it for other things like shredding plastic to make cement or resin so that we can use all kinds of plastic and get a higher return for our money. We could also make furniture from Styrofoam by melting it down instead of throwing it down.
FA: Thank you for your time, Jane.

It’s actually pretty amazing what kind of stuff PCF manages to put up for sale – laptop bags, bracelets, even skirts. To describe their fashion line, I’ll leave Bea Raya, a worker with the PCF, with the last word: “If you are looking for something unique, eye-catching, and a definite conversation starter, PCF’s recycled products are perfect for you. Our talented mothers and youths bring new life to trash items like glossy magazines, ring pull tabs, empty toothpaste tubes and Juice Doy packs (ed note: a Filipino soft drink), PCF’s products are both fashionable and eco-conscious statements. Where else would you be able to get that?”
The PCF's noble work has been bringing real change to the people of Tondo, lifting lives and aspirations for a whole new generation of the disenfranchised. I personally wish the PCF the best of luck in their endeavors and encourage you to check out their website for more information and ways you can help.

Bookmark and Share

PARIS: New biography portrays YSL as "a tyrant"

Many a great artist has been plagued by bouts of depression, drug use and violence, and according to a new biography it seems Yves Saint Laurent was no different. Marie-Dominique Lelievre’s new biography “Saint Laurent: Bad Boy” brings to light the legend’s struggles with alcohol and cocaine abuse, as well as a violent temper and an inner battle against his homosexuality.


Though Saint Laurent was known to be eccentric and demanding, his violent tendencies were kept quiet amongst his friends, family and employees, until now.
Despite these provocative revelations, it remains unlikely that Saint Laurent’s image as one of the greatest, if not the greatest, designer of the 20th century will be irreparably tarnished.
photo courtesy of sanfranciscosentinel
Bookmark and Share

Fit for a Museum

Guo Pei (China's answer to Galliano and McQueen) presents yet another "O-T-T - but the good kind" collection, this time, at Hong Kong Fashion Week. We're guessing these won't be Red Carpet fixtures at the next Golden Globes, but we're loving the designer's trademark flair for theatrics and attention to artistic details

More Pics >>






photos courtesy of ChinaDaily
Bookmark and Share

His Rugged Good Looks

Fashion Albedo looks at F/W 2010 for men. Part One.

It’s the drop in temperature, the way frost paints across windows, the dwindling hours of sunlight, and the majestic sweep of falling leaves… it somehow all brings out a desire in fashion houses to emphasize some long sought-after paradigm of masculinity that inevitably gets translated through cloth and stitches into ruggedness. You know… that sort of unshaven look complemented with bubble jackets, shades of khaki, and the suggestion that the man wearing it at least knows how to start a fire.
 Read More>>
Of course, you’re doing it wrong. Any designer that releases a jacket that costs upwards of a few hundred dollars is not in anyway making a garment suitable for ‘rugged’ activities. No, that sort of jacket is aimed at cityboys like me; we few, we happy few, we Band of Outsiders, coddled away in our happy, warm, soft beds, where the only sound we know wildlife makes is woof. But yet, we look and yearn for some sort of validation. And Fall/Winter brings that out in at least a few designers.
C.P. Company is, of course, Italian for all-weather parka. Wallace Faulds, previously of John Galliano, ups the requisite man-quotient for the season. We find the usual template of grays, charcoals, and rusts injected into shiny, neo-material parkas, hooded everythings, and the swarthy staple, the peacoat. It isn’t extraordinary – manly-man F/W rarely is – but it is pretty enough if that’s your thing.
Not that there’s anything wrong with the line. It’s just so self-consciously wrong; this is not the sort of gear you’d be schlepping around the woods in. But by God, if you have to, if someone dropped you out in Upper Nowhere, then you’d at least cut a very sleek figure.
I have to admit, the look is sleek and while I was initially droned-out with the parade of urbanized forestwear (an insult to the days I actually had to wear mud-splashed camogear), that wily Scot Faulds tricked my preconceived and pen-nearly-on-paper notions about the F/W rugged banality. Why? Because he cleverly (like a fox) added some color: reds and oranges, but yellow to be exact. That fresh lemony tang, perched mischievously in a mustard vest here, a coy neon rugby jersey there, is that little nod and wink I’d been waiting for. And then, I don’t care anymore: the façade of ‘ruggedness’ drops. And we see a decent line and a designer who is at least willing to say “bollocks” to dull palettes and uninteresting tropes. That is, at least, some cause for hope.
Aaron Wee

photos courtesy of GQ
Bookmark and Share

MILAN: Armani "will never sell"


While many fashion houses are in a state of uncertain flux in the wake of the financial crisis, Giorgio Armani is intent on maintaining control over his Armani fashion empire.

Though profits have fallen nearly 100 million Euros since 2007, Giorgio Armani has resolved not sell or cede management of his company in any way.
“I will never sell because I have no need and no desire to…I want to follow everything, be busy with everything, and the last word will always be mine.”
So long as Armani keeps impressing us with runway shows like that of their Spring 2010 collection, replete with dresses of glorious indigo and unapologetically funky swimsuits, we say grazie e buona fortuna, Mr. Armani.

Rachel Vincent 

photo courtesy of blogthecoast
Bookmark and Share

Don't Rain on My Parade

Looks that shone through at the rainy Golden Globes:

Lea Michelle, in Oscar de la Renta


Mo'Nique, in Reem Acra


Anna Paquin, in Stella McCartney
Sophia Loren Penelope Cruz, in Armani Prive

Drew Barrymore, in Atelier Versace

Kate Winslet, in Yves Saint Laurent

Maggie Gyllenhaal, in RM by Roland Mouret

photos courtesy of Style.com
Bookmark and Share